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    TR DIZIN 2020 Etik Kriterleri  kapsamında, dergimize 2020 yılında gönderilen ve gönderilecek olan yayınlar için Etik Kurul Belgesi zorunlu olacaktır. Bu kapsamda etik kurul izni gerektiren çalışmalar için makalenin yöntem bölümünde ilgili Etik Kurul Onayı ile ilgili bilgilerin (kurul-tarih-sayı) yer verilmesi gerekecektir. Bu nedenle dergimize makale gönderimi yapacak olan aday yazarlarımızın ilgili kriteri göz önünde bulundurarak makalelerini düzenlemeleri önemle rica olunur.




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The curse are verbal reactive sentences that he desperately establish when he realizes that he is injustice. These sentences consisting of a few words have a short, expressive and stereotyped structure. They are said at the first moment that the grievance is noticed, so they contain serious emotional intensity, literary power and artistic depth. These are anonymous and literary genres, which include the religious, social and literary accumulations of the culture to which they belong. Studies on curse have been concentrated in areas such as its historical process, subjects, their use among other species, shape and content features. However, due to the current belief that curse is dangerous content and that it can return to its owner, it is sentences that are not considered appropriate by the society. It is not possible to hear these sentences, which are produced when emotional autocontrol is lost, under normal conditions. Considered from this point of view, the curse can give information about the great fears and Islamic perceptions of the human. Also, because the curse are anonymous products of social memory, these sentences can reach fears, religious beliefs, literary conception and styles, and the dimensions of the imaginary world in the common consciousness of the nation. This topic is discussed in the article. The curse was first introduced in terms of the features of the literature, and then the curse of death, grave and hereafter in Turkish folklore was examined in terms of its envisions. From this point of view, implications have been made on the world of thought of people who have voiced them. According to the results obtained as a result of the study, wishes expressed in the curse also reveal his own theological fears. Because the victim expresses the worst of the things that can happen on her own in her curse, and wants the things she fears to happen to the addressee. Thus, he becomes soothed, dreaming that he has punished him enough. The study was prepared by the method of determining Islamic and cultural references of curse. As a result, it was determined that Turks subconsciously created very tragic scenes related to each of the pre-death, death sequence, post-death, graves and hereafter stages.

Curse, kargış, death, grave, hereafter, culture.

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